You can fix this by either setting a lower slice resolution or by selecting a smaller region of the clip to slice. Since a Rack can contain a maximum of 128 chains, Live won’t let you proceed if your choice would result in more than 128 slices. The top chooser allows you to slice at a variety of beat resolutions or according to the clip’s transients or Warp Markers. This offers a list of slicing divisions, as well as a chooser to select the Slicing Preset. When you select Slice to New MIDI track, you’ll be presented with a dialog box. The Drum Rack (see ‘Drum Racks’) provides an ideal environment for working with sliced files, and most of the setup happens automatically after you make a few choices: Instead, it simply splits the original audio into portions of time, regardless of the content.

Slicing differs from the Convert commands below, in that it doesn’t analyze the musical context of your original audio. This command divides the audio into chunks which are assigned to single MIDI notes.

When an audio clip is selected, four conversion commands are available in the Create Menu or the right-click(Win) / CTRL- click(Mac) context menu for the clip.Ĭontext Menu Commands For Converting Audio To MIDI. (Note: the features discussed in this chapter are not available in the Intro and Lite Editions.)Īlthough Live’s warping allows for audio files to be used much more flexibly than in traditional audio software, there are also a number of ways to extract musical information from audio clips and place it into MIDI clips, for additional creative possibilities.

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